Ellis Music's Guide to Instrument Mouthpieces

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Let's Start at the Beginning...

collage of woodwind mouthpieces collage of brass mouthpieces

The sounds that we hear come from vibrations in the air. The mouthpiece is the part of a musical instrument that the player blows into in order to create a vibration. Not every type of instrument has a mouthpiece. Percussion instruments, for example, do not. Neither do oboes or bassoons, which have two reeds tied together that vibrate. Most wind instruments, however, do have a mouthpiece. Woodwinds (including clarinets and saxophones) use mouthpieces that are typically made of plastic, hard rubber, or metal. Brass instruments (including trumpet, horn, trombone, and tuba) use mouthpieces that are typically made of brass that has been plated with silver or gold to prevent contact with any lead contained in the brass.

The Importance of the Mouthpiece

The importance of a good mouthpiece cannot be understated. It's where air gets shaped in preparation for projection through the instrument. The particular characteristics of a mouthpiece and the musician playing the instrument interact to create a sound that is unique to the individual.

Stock Mouthpieces: Helpful But Not Always Ideal

Instruments rented or sold by Ellis Music (and most other retailers) include a "stock" mouthpiece. These are middle-of-the-road mouthpieces, designed to work well for beginning musicians across a range of styles. For some people, a stock mouthpiece is sufficient for their needs. However, experienced musicians may eventually find themselves held back by the limitations of the mouthpiece that came with their instrument, or they might be interested in producing a different tone quality that is impossible with their existing setup.


Time for a Mouthpiece Upgrade?

Even if you cannot afford to buy a new instrument or you've already found your ideal instrument, you can significantly alter and improve your sound by upgrading your mouthpiece. Most student model woodwind mouthpieces are made of plastic, whereas more advanced models are usually constructed from hard rubber (which looks very similar but can provide better tone quality). For both woodwind and brass, a number of structural variations in construction are possible, each of which affects the sound in a different way.


Mouthpiece Anatomy

Woodwinds

Woodwind Mouthpiece Diagram courtesy of Vandoren

Image © Vandoren. Used by permission. (view full size)

Brass

Brass Mouthpiece Diagram courtesy of Yamaha

Image © Yamaha Corporation. Used by permission. (view full size)

An Important Note Regarding Brass Mouthpiece Finishes

A mouthpiece with worn plating. A mouthpiece with worn plating.

Brass is an alloy (combination of metals) consisting primarily of copper and zinc. Most mouthpieces also contain lead because that metal has properties that help during the process of machining (shaping) them. Lead is toxic to humans. This is why brass mouthpieces are plated, most often with silver. There is no danger in using a brass mouthpiece as long as the plating is intact. Over time, the plating can wear off. Do not use an old mouthpiece that has plating worn off or you will be exposing yourself to lead and the potential of ingesting or inhaling lead dust.

So what do you do if your mouthpiece's plating is chipped or worn? There are companies that can re-plate your mouthpiece. In some cases, it may be less expensive to buy a new mouthpiece.

If allergic to silver, getting a gold-plated mouthpiece (available by special order) is the most common solution.


How to Choose a Mouthpiece

Mouthpiece selection is a very personal decision. What works for one person may not work for another, not only because of playing style but more fundamentally because each person's lips and teeth are formed differently. For this reason, it is recommended that you try a mouthpiece before purchasing it when possible. (Ellis Music's return policy allows up to 30 days to return a mouthpiece.)

  • Use your own instrument when trying mouthpieces.
  • Warm up as usual.
  • Once warmed up, play scales in whatever is your full range to see how the mouthpiece responds, particularly in the very high and very low registers.
  • Perform music that is familiar to you so that you are not struggling with notes or rhythms and instead can concentrate on listening to the sound that you’re producing.
  • To hear differences between mouthpieces, play the same passage of music on each mouthpiece.
  • You may wish to record audio of your playing so that you can hear what each mouthpiece sounds like from the audience perspective.
  • If you have a particular reason for wanting a different mouthpiece (such as improved high or low range, greater volume, a different tone quality, more or less resistance), keep your goal in mind.

Remember: there is no substitute for practice. You will not find a “perfect” mouthpiece that makes everything easy to play and sounds great for all types of music. So… focus on choosing a mouthpiece that best serves your needs, is comfortable, and produces a sound that you like.


Why You Should Buy Your Mouthpiece from Ellis Music

Ellis Music stocks a variety of popular mouthpiece brands, including Bach, Meyer, Otto Link, Selmer Paris, Theo Wanne, Vandoren, and Yamaha. The current Ellis Music staff includes individuals with significant knowledge of mouthpieces. (You may wish to call ahead and schedule a trip to the store when someone familiar with mouthpieces for your particular instrument is working.)

To assist musicians in the process of finding their ideal mouthpiece, Ellis Music has put together mouthpiece trial boxes, collections of some popular options for each instrument. Mouthpiece trial boxes currently exist for clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. These boxes can be requested by music teachers and borrowed for a week to give their students an opportunity to try out mouthpieces at school.

Ellis Music also has mouthpieces that stay at the store, so that all musicians - including those not affiliated with a school music program - can access a variety of mouthpiece options. Players can bring their instrument and try mouthpieces in our practice room. No appointment is necessary. (Mouthpieces are cleaned and sterilized after being played.)

Through its relationships with various musical supply distributors, Ellis Music has access to hundreds of different mouthpieces and can place a special order if you want to purchase something that's not normally kept in stock.


Compare & Shop for Mouthpieces

Clarinet Mouthpieces    Browse All Clarinet Mouthpieces

Download Mouthpiece Comparison Chart (PDF)

Mouthpiece Description Tip Opening Facing Length
D’Addario Reserve X5 Known for its warm and consistent tone, this is one of the most popular mouthpieces for students. This is a D’Addario “American pitch” (A = 441 Hz) mouthpiece. 1.05mm Medium-Long
D’Addario Reserve X10 With a larger tip opening than the X5, this mouthpiece plays slightly brighter. This is a D’Addario “American pitch” (A = 441 Hz) mouthpiece. 1.12mm Medium-Long
Fobes Nova 3L Nova mouthpieces are known for their warm tone and excellent intonation. The 3L facing has a moderate tip opening and a slightly longer facing length than the CF+, making it brighter and more flexible. 1.08mm  18mm
Fobes Nova CF+ Nova mouthpieces are known for their warm tone and excellent intonation. The CF+ facing has a very closed tip opening and a slightly shorter facing length than the 3L, making it darker and more resistant. 1.00mm  17mm
Selmer Paris Concept Known for its warm, mellow tone. The long facing facilitates exceptional flexibility and dynamic range. 1.10mm  
Vandoren 5RV One of the most popular mouthpieces for all levels of musicians known for its easy response. The small tip opening and medium short facing promote a dark tone. 1.065mm Medium-Short
Vandoren 5RV Lyre Similar to the 5RV but with a slightly bigger tip opening and a longer facing for a greater ability to play loud dynamics. 1.09mm Medium
Vandoren B45 A versatile mouthpiece favored by many teachers as the first “step-up” mouthpiece for their students because of its consistent response and tone quality in all registers. The medium tip opening and medium long facing make this mouthpiece easy to play. 1.09mm Medium-Long
Vandoren BD5
13 Series
Known for its richness in the upper register. The medium tip opening and medium facing combine to give this mouthpiece a dark tone with a wide dynamic range. 1.13mm Medium
Vandoren M13
13 Series Profile 88
Stable and free-blowing, this mouthpiece excels in the low register. 1.005mm Long
Vandoren M13 Lyre
13 Series Profile 88
Similar to the M13 but with a slightly bigger tip opening and shorter facing, making the upper register easier to play. 1.02mm Medium-Long
Vandoren M15 Similar to the M13 but with a slightly bigger tip opening, which facilitates a brighter tone. 1.035mm Long
Vandoren M30
13 Series Profile 88
A versatile mouthpiece suitable for many styles of music. The long facing promotes flexibility. 1.15mm Long

About Vandoren “13 Series” Mouthpieces: Vandoren’s “13 Series” mouthpieces are their “American pitch” mouthpieces pitched at A = 440 Hz. This is achieved by slightly enlarging the internal bore, which gives them a slightly warmer tone than their A = 442 Hz counterparts. All other internal dimensions of a “13 Series” mouthpiece are the same as their non-”13 Series” counterparts.

About Vandoren “Profile 88” Mouthpieces: Vandoren’s “Profile 88” mouthpieces are designed with a thinner and more gradually sloped beak. All internal dimensions of “Profile 88” mouthpieces are identical to their traditional beak counterparts. There is no acoustic difference, rather it is a matter of the player’s comfort that may cause one to prefer a “Profile 88” over a traditional beak mouthpiece.


Alto Saxophone Mouthpieces    Browse All Alto Sax Mouthpieces

Download Mouthpiece Comparison Chart (PDF)

Mouthpiece Description Tip Opening Application
Selmer Paris S80 C* One of the most popular mouthpieces from student to professional known for its easy response. The square chamber facilitates a focused tone. 1.55mm Classical
Selmer Paris S90 180 An excellent choice for ensemble playing. The very closed tip opening provides easier control of soft dynamics. 1.45mm Classical
Selmer Paris S90 190 The same tip opening as the S80 C* but with a larger chamber, facilitating a bigger and darker tone. 1.55mm Classical
Theo Wanne Elements: Water 3 Thick side rails, a small square chamber, and a very closed tip opening combine to create a truly unique mouthpiece with a big, dark sound that is easy to play and control. 1.55mm Classical
Theo Wanne Essentials: Concert 4 A big tip opening for a classical mouthpiece provides a greater ability to project and play loud dynamics. 1.68mm Classical
Vandoren Optimum AL3 One of the most popular mouthpieces from student to professional known for its easy response. The round chamber facilitates a dark tone. 1.52mm Classical
Vandoren Optimum AL4 A bigger tip opening than the AL3. This mouthpiece has excellent projection while maintaining a dark tone. 1.63mm Classical
D’Addario Select Jazz D6M A medium tip opening, medium chamber and medium baffle make this mouthpiece easier to control while providing a round balanced tone suitable for a variety of genres of music. 1.98mm Jazz
D’Addario Select Jazz D7M A larger tip opening, medium chamber, and medium rollover baffle combine to create a mouthpiece with a big, powerful sound that can be brighter when pushed or warmer when needed. 2.11mm Jazz
Meyer 5M One of the most popular mouthpieces from student to professional. The tip opening is slightly smaller than the 6M, making it easier to play and control while providing a bright and lively tone that is focused and clear. 1.80mm Jazz
Meyer 6M One of the most popular mouthpieces from student to professional. The medium chamber creates a balanced tone suitable for most styles while the 6 tip opening allows more air through the mouthpiece for increased volume. 1.93mm Jazz
Selmer Jazz Flow 5 The medium, rounded baffle and small elliptical chamber facilitate a focused and beautiful tone that can sing over a ballad or soar over the band during a solo. 1.96mm Jazz
Theo Wanne Essentials: Contemporary 7 An excellent mouthpiece for popular genres. The high step baffle creates a big, bright, edgy sound with powerful projection. 2.06mm Contemporary
Theo Wanne Essentials: Jazz 5 The same characteristics as the Jazz 7, but with a smaller tip opening making it easier to play and control. 1.80mm Jazz
Theo Wanne Essentials: Jazz 7 Ideal for most genres of jazz. The roll-over baffle and medium chamber create a balanced sound (not too dark, not too bright) with good projection. 2.06mm Jazz
Vandoren V16 A5M An excellent mouthpiece for section playing. The medium long facing and medium chamber make this mouthpiece free-blowing and facilitates a big, full sound that is easy to control and manipulate expressively. 1.88mm Jazz
Vandoren V16 A6M One of the most popular alto saxophone mouthpieces. Similar to the A5M, but with a slightly bigger tip opening that gives this mouthpiece a larger, more powerful sound while retaining the same sound qualities of the A5M. 1.96mm Jazz

Tenor Saxophone Mouthpieces    Browse All Tenor Sax Mouthpieces

Download Mouthpiece Comparison Chart (PDF)

Mouthpiece Description Tip Opening Application
Selmer Paris S80 C* One of the most popular mouthpieces from student to professional known for its easy response. The square chamber facilitates a focused tone. 1.90mm Classical
Selmer Paris S90 180 An excellent choice for ensemble playing. The very closed tip opening provides easier control of soft dynamics. 1.80mm Classical
Selmer Paris S90 190 The same tip opening as the S80 C* but with a larger chamber, facilitating a bigger and darker tone. 1.90mm Classical
Theo Wanne Essentials: Concert 5 A big tip opening for a classical mouthpiece provides a greater ability to project and play loud dynamics. 2.03mm Classical
Vandoren Optimum TL3 An excellent choice for ensemble playing. The very closed tip opening and medium-short facing provide easier control of soft dynamics and exceptional articulation control. 1.76mm Classical
Vandoren Optimum TL4 One of the most popular mouthpieces from student to professional known for its easy response. The round chamber facilitates a dark tone. 1.95mm Classical
D’Addario Select Jazz D6M A medium tip opening, medium chamber and medium baffle make this mouthpiece easier to control while providing a round balanced tone suitable for a variety of genres of music. 2.54mm Jazz
D’Addario Select Jazz D7M Similar to the V16 T7, but with a little more versatility and brightness. A large tip opening, medium chamber, and medium-low rollover baffle combine to create a mouthpiece with a big, powerful, warm sound. 2.67mm Jazz
D’Addario Select Jazz D8M A larger tip opening than the D7M makes this mouthpiece easier to project. 2.79mm Jazz
Otto Link LA 7 A smaller tip opening than the LA 7* makes this mouthpiece easier to control. 2.54mm Jazz
Otto Link LA 7* A warm Otto Link tone at its core with the versatility to achieve a modern brightness suitable for contemporary styles. 2.67mm Jazz
Theo Wanne Essentials: Contemporary 7 An excellent mouthpiece for popular genres. The high step baffle creates a big, bright, edgy sound with powerful projection. 2.67mm Contemporary
Theo Wanne Essentials: Jazz 7 Ideal for most genres of jazz. The roll-over baffle and medium chamber create a balanced sound (not too dark, not too bright) with good projection. 2.67mm Jazz
Vandoren V16 T6M An excellent mouthpiece for section playing. The long facing and medium chamber make this mouthpiece free-blowing and facilitates a warm sound that is easy to blend with others. 2.50mm Jazz
Vandoren V16 T7M One of the most popular mouthpieces. Similar to the T6, but with a slightly bigger tip opening that gives this mouthpiece a brighter sound. 2.70mm Jazz

Trumpet Mouthpieces    Browse All Trumpet Mouthpieces

Mouthpiece Description Cup Depth Cup Diameter Rim Shape
Bach 1C Large diameter, medium cup; good for all-around use. Medium 17.00mm Medium wide
Bach Megatone 1C Same as a Bach 1C, but with added mass designed to darken the tone and allow playing at a higher dynamic level without distortion. Medium 17.20mm Medium wide
Bach 1½C Slightly smaller diameter and a different rim contour than a Bach 1C. Medium 16.90mm Medium wide, not too sharp
Bach 3C Fairly large cup; good for all-around use. Medium 16.30mm Medium wide
Bach Megatone 3C Same as a Bach 3C, but with added mass designed to darken the tone and allow playing at a higher dynamic level without distortion. Medium 16.30mm Medium wide
Bach 5C For players with a strong embouchure who do not like a sharp edge. The tone is lively and rich. Medium 16.25mm Medium wide, well rounded inside
Bach 6B Medium-large size gives the lips sufficient room to execute freely. Produces a beautiful, ringing tone and responds easily. Medium Deep 16.20mm Medium wide, not too sharp
Bach 7C Probably the most widely used model in the world. Its brilliant tone is preferred by many student and professional musicians. Medium 16.20mm Medium wide, well-rounded edge
Bach 7D Has a shallower cup than a Bach 7C. Designed primarily for D trumpet but can be used with any trumpet successfully where great brilliance and easy high register are required. Medium Shallow 16.20mm Medium wide, lowered toward outside
Bach 7E The extra shallow cup produces a crisp, sparkling tone in the extreme high register. Widely used for piccolo trumpet. Shallow 16.20mm Medium wide
Bach 10½C This mouthpiece produces a fine high register and resonant low register even without a strong embouchure. Ideal for C trumpet. Medium 15.90mm Medium wide
Bach 10½CW Similar to a Bach 10½C but with an extra wide cushion rim, recommended for players who use heavy pressure. Medium 15.90mm Extra wide, high toward inner edge
Stork Vacchiano 2C
Standard Cup
Similar inner diameter as a Bach 1½C, but with a modified ‘V’ cup designed by William Vacchiano to be more efficient with a clear sound and improved pitch center. Medium Deep 17.00mm Medium wide
Stork Vacchiano 3C
Standard Cup
Similar inner diameter as a Bach 3C, but with a modified ‘V’ cup designed by William Vacchiano to be more efficient with a clear sound and improved pitch center. Medium Deep 16.50mm Medium wide
Stork Vacchiano 3C
Pumped Cup
A unique combination of ‘V’ and ‘C’ cup shapes that allows more room for the lips to vibrate inside the cup and adds depth (darker, more resonant) to the tone quality as compared to a standard cup. The inner diameter is similar to a Bach 3C. Medium Deep 16.50mm Medium wide
Yamaha 7A4 Shallow cup mouthpiece designed primarily for piccolo or lead trumpet. Has a thicker rim and more narrow backbore than the Yamaha 11B4. Shallow 16.24mm Wide, semi-flat
Yamaha 11B4 Has a somewhat shallow cup and a medium rim for extra endurance and a brilliant tone. Medium Shallow 16.46mm Medium, semi-flat
Yamaha 14A4a Fast response high range and powerful sound, ideal for piccolo or lead trumpet. Shallow 16.85mm Medium wide, semi-flat

Trombone Mouthpieces    Browse All Trombone Mouthpieces

Mouthpiece Shank Description Cup Depth Cup Diameter Rim Shape Throat
Bach 1G Large Extra large and deep for extraordinary power and depth of tone. Deep 28.00mm Medium thin, well rounded 8.10mm
Bach 2G Large Deep, full, resonant tone and strong low register through the pedal tones. Deep 26.75mm Medium narrow 7.01mm
Bach 3G Large A deep mouthpiece to facilitate pedal tones. Deep 26.26mm Medium wide, well rounded 7.01mm
Bach 4G Large A versatile, large diameter mouthpiece especially useful when one trombone is used for both the upper and very low register. Deep 26.00mm Medium wide, slightly rounded 7.01mm
Bach 5G Large Similar playing characteristics as a Bach 4G mouthpiece with a slightly smaller cup diameter. Deep 25.50mm Medium wide, semi-flat 7.01mm
Bach 6½A Large One of the most popular mouthpieces, producing a rich, compact sound of large volume. (Smaller throat and backbore than 6½AL.) Medium Deep 25.40mm Medium wide, well rounded 7.01mm
Bach 6½AL Large The same cup, throat, and backbore as the small shank Bach 6½AL but with a large shank. Medium Deep 25.40mm Medium wide, well rounded 6.63mm
Stork T1
Lightweight Standard
Large Similar to Bach 6½A but with a ‘V’-shaped cup, a bit more resistance, and a very rounded rim. Medium Deep 25.22mm Medium wide, very rounded 6.63mm
Stork T1
Heavyweight Symphonic
Large Extra mass on this T1 mouthpiece provides a stable, centered tone, combined with a slightly larger symphonic bore and backbore. Medium Deep 25.22mm Medium wide, very rounded 6.76mm
Stork BT5
Heavyweight Symphonic
Large Heavyweight, symphonic mouthpiece similar to Bach 5G but with a “V”-style cup and a rim designed for comfort. Deep 25.30mm Medium wide, semi-flat 7.14mm
Bach 5G Small This mouthpiece has a deep cup to produce a full, mellow, sonorous tone. (Same as a large shank 5G mouthpiece but with a small shank.) Deep 25.50mm Medium wide, semi-flat  
Bach 6½AL Small Great for trombonists and euphonium players who desire a round, mellow tone of great carrying power and substantial volume. Medium Deep 25.40mm Medium wide, well rounded  
Bach 7C Small Produces a large volume of tone with a brilliant sound quality. Medium Shallow 24.75mm Medium wide, not too sharp  
Bach 9 Small Similar to a Bach 6½AL but with a smaller cup diameter and somewhat less rounded rim. Medium Deep 24.72mm Medium wide  
Bach 15C Small Produces a clear, lively tone even without a strong embouchure. Players with thin lips may also find this mouthpiece helpful. Medium Shallow 24.40mm Medium wide  
Bach 19 Small This mouthpiece has a V-shaped cup and produces a mellow, velvety tone. Medium Deep 24.00mm Medium wide, fairly flat  
Stork T1
Lightweight Standard
Small Similar to Bach 6½A but with a ‘V’-shaped cup, a bit more resistance, and a very rounded rim. Medium Deep 25.22mm Medium wide, very rounded 6.63mm
Stork T2
Lightweight Standard
Small Designed for easy playing in the upper register but with enough volume for a full sound. Medium Shallow 24.69mm Medium wide, very rounded 5.79mm


Additional Mouthpiece Resources

  Articles and Videos

The Stork Custom Mouthpiece website includes various informational posts. Stork also has videos on its YouTube channel about various aspects of mouthpiece structure and what to think about when choosing a mouthpiece.

The Theo Wanne YouTube Channel includes many videos, including one of Theo Wanne explaining the AMP mouthpiece manufacturing process.

  Mouthpiece Comparison Charts (Courtesy of American Way Marketing)

  Manufacturer-Specific Resources


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